A Joyful and Humane B Minor Mass at Emmanuel Music: Ryan Turner begins his second season as Music Director, followed by a 2011-12 season schedule, by Michael Miller

 
Turner_ryan
Ryan Turner, Music Director of Emmanuel Music

Bach B Minor Mass
Saturday, September 24, 2011 - 8:00 PM

Pre-Concert Talk at 7:00 PM
with Robin A. Leaver
Emeritus Professor of Sacred Music at Westminster Choir College and Visiting Professor at Yale University

The Orchestra and Chorus of Emmanuel Music
Ryan Turner, conductor

Soloists:
Matthew Anderson
Roberta Anderson
Kendra Colton
Susan Consoli
Thea Lobo
Miranda Loud
Deborah Rentz-Moore
Sumner Thompson
Krista River
Teresa Wakim
Donald Wilkinson
Zachary Wilder

As Ryan Turner began his second season as Music Director of Emmanuel Music so ambitiously with Bach's B Minor Mass, it seems a good time to reflect on this small, but extremely productive organization and its place in the Boston musical world. One of the most characteristic—and felicitous—aspects of classical music in Boston is the proliferation of these groups, often founded around a chorus, but featuring non-choral music as well, often cultivating a speciality in Baroque music, and often combining this with the music of Classical, Romantic, and contemporary composers. Boston is home to other groups that play Baroque music on period instruments, and some of these have achieved international reputations. At Emmanuel music of the eighteenth century and earlier is played on modern instruments in a style which conforms more or less with the performance practices developed in the postwar years by Günther Ramin and Kurt Thomas with the Thomanerchor at Leipzig, and extending to Fritz Lehmann and Karl Richter in Berlin and Munich—with roots in the reformed performances of the 1920s. This doesn't mean that these musicians don't listen to their historically informed colleagues. In Boston, it is pretty well impossible for them not to exchange ideas and to learn from one another. As compelling as period performances of Baroque masters are, there is one great virtue to modern instruments: the music can be performed as part of a tradition extending up to the present day. The musicians can perform Bach seamlessly amidst Brahms, Bruckner, Stravinsky, Schoenberg, Vaughn Williams, or, say, John Harbison, Principal Guest Conductor at Emmanuel Music, who wrote an enlightening personal note on the B Minor Mass for this performance.

Read the full review and preview
 on the Berkshire Review, an International Journal for the Arts!