A Tale of Two Conductors (and Two Pianists, Two Concertos, Two Symphonies): Graf and Eschenbach with the BSO in Mozart, Mahler, and Brahms, with Orion Weiss and Peter Serkin , by Larry Wallach

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Gustav Mahler on the podium.

The Boston Symphony Orchestra at Tanglewood:
Friday, July 29
Hans Graf, conductor, Orion Weiss, piano soloist.
Mozart - Piano Concerto no. 25 in C, K. 503
Mahler - Symphony no. 5

Saturday, July 30
Christoph Eschenbach, conductor, Peter Serkin, piano soloist.
Brahms - Piano Concerto no. 1 in D minor, op. 15
Symphony no. 4 in E minor, op. 98

The dual nature of the contemporary orchestral concert experience was clearly displayed last Friday and Saturday nights by the Boston Symphony concerts at Tanglewood. Each offered its own image of how an audience can interact with familiar works. Each featured a central European conductor leading core repertory: one concerto and one symphony each, all works familiar to habitual concert-goers. Each pair of pianists and conductors exhibited strongly-marked contrasts. Both concerts were satisfying, but in very different ways and to markedly different degrees.

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