Adolph Gottlieb. A Retrospective, at The Guggenheim Collection, Venice through January 9, 2011

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Adolph Gottlieb at the Tiller, Provincetown, 1949. The Adolph and Esther Gottlieb Foundation.

Adolph Gottlieb. A Retrospective
The Guggenheim Collection, Venice
September 4, 2010–January 9, 2011

Curated by Luca Massimo Barbero, Catalogue with essays by Luca Massimo Barbero and Pepe Karmel

This exceptionally important and beautifully realized exhibition is not only the first retrospective of the work of Adolph Gottlieb in Italy, it is the first full retrospective of his work anywhere in quite a few years. One can hardly say that Gottlieb is a forgotten artist, because there has been a steady flow of exhibitions following his death in 1974 through the eighties, nineties, and up to the present day, more at major private galleries rather than museums, and none as ambitious or as scholarly as this. On the other hand it appears that Gottlieb's reputation has weakened in recent years, especially among the general public, among whom Jackson Pollock has become a sort of louche patron saint of Abstract Expressionism, or "Ab Ex," as MoMA now encourages us to call it, more through biographical scandal and sensational controversies over his oeuvre than a serious appraisal of his work — not that the Boston College exhibition about the Matter sketches was not serious and important work. Hence, in our conversation about the show, Philip Rylands, the director of the Guggenheim Collection, was surely right in pointing out that the principle goal of the exhibition is the re-assessment of Gottlieb's pre-eminence among the "Abstract Expressionists" — something that was never in doubt during the peak years of both the movement and his career.

The exhibition succeeds admirably in convincing the visitor of the quality of Gottlieb's work, not only in the mature periods for which he is best known, but before and after as well. However, further issues emerge from this, above all the question of how well Gottlieb and his 

Read the full review article on the Berkshire Review, an international journal for the Arts!

Michael Miller