Lorenzo Bartolini: Scultore del bello naturale by Daniel B. Gallagher
The rebellion against French academicism in the nineteenth century was carried out from several angles. A variety of new themes, subjects, and techniques were used as ammunition, and the expanding international market widened the battlefield. It was more than a two-sided contest between “conformists” and “non-conformists,” for there were multiple camps of non-conformists each of whom eventually found something else to cling to.
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