The Australian Brandenburg Orchestra Led by Riccardo Minasi Plays Vivaldi, Zelenka, Sardelli, Fasch on Period Instruments, by Andrew Miller


Siobhan Stagg sings the Zelenka aria with the Australian Brandenburg Orchestra. Photo: Steven Godbee.

City Recital, Angel Place, Sydney: 2 November 2011

Jan Dismas Zelenka
Sinfonia from the Serenata Il Diamante, ZWV 177
Aria "Qui piegate, qui posate" from Il Diamante, ZWV 177
Siobhan Stagg - soprano
Mikaela Oberg - baroque flute

Antonio Vivaldi
Concerto for flute "La Notte" opus 10 no. 2, RV 439
Melissa Farrow - baroque flute

Frederico Maria Sardelli
Cello Concerto in G minor
Jamie Hey - baroque cello

Johann Friedrich Fasch
Ouverture Grande in D major, FWV K:D8

Antonio Vivaldi
Violin concerto in E minor "Il Favorito", RV 277

Riccardo Minasi - baroque violin and guest director

Australian Brandenburg Orchestra

The Australian Brandenburg Orchestra specializes in playing Baroque music on period instruments, though they often include earlier 16th and later 18th century music too, but for this program they have taken a cross section of late Baroque Italy and Germany selecting pieces all from the 1720's and 1730's (or in a similar style). They have also invited Roman violinist Riccardo Minasi to direct and conduct the orchestra with a program of interesting Vivaldi concerti as well as the much more obscure Jan Dismas Zelenka, who was only rediscovered around the middle of the last century, though his 300th birthday in 1979 passed without any celebration from the recording industry (according to Early Music). A Bohemian originally, Zelenka played double bass for the Dresden court orchestra, later composing for the royal chapel, then for a short while acting as Kapellmeister. The ABO plans to play a bit more of his music next year, a sample of his church music. They have also announced for their 2012 season Monteverdi's L'Orfeo in concert, which is wonderful news for Sydney operaphiles who now at least have three operas to look forward to next year — L'Orfeo, Tchaikovsky's Queen of Spades with Ashkenazy and the Sydney Symphony and the Pinchgut company's production in December. Baroque music, especially in the serious and exuberant way the ABO plays it, is lively, vigorous and sanguine but without violence or forcefulness. In this way Baroque music has much to teach humanity of the 21st Century.

Read the full review on the Berkshire Review, an International Journal for the Arts!